f0zKg0J4zFLYz-Yq0aednQVqREE Once Upon a Prologue: genre: historical fiction
Click Here For Free Blog Backgrounds!!!
Blogaholic Designs
Showing posts with label genre: historical fiction. Show all posts
Showing posts with label genre: historical fiction. Show all posts

Wednesday, September 28, 2011

Review: The Near Witch by Victoria Schwab

The Near Witch by Victoria Schwab
Published: 08.02.2011
Pages: 288
Rating: 4 of 5 stars
Further info: Goodreads | Amazon
Find the author online: site | blog | twitter


The Near Witch is only an old story told to frighten children.

If the wind calls at night, you must not listen. The wind is lonely, and always looking for company.

And there are no strangers in the town of Near.


These are the truths that Lexi has heard all her life. But when an actual stranger—a boy who seems to fade like smoke—appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.

The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.

As the hunt for the children intensifies, so does Lexi’s need to know—about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.

Part fairy tale, part love story, Victoria Schwab’s debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won’t soon forget. 




My Review



Sixteen year old Lexi Harris lives in the small town of Near - a town on the edge of the moor that could be anywhere and nowhere.  The Near Witch starts us out by slipping unobtrusively into her life, introducing us to headstrong Lexi, who is caught between trying to be the person who family wants her to be, and assuming the responsibility of taking care of her mother and younger sister, Wren, after her father's death.  Victoria Schwab then propels the story forward when a stranger appears in the anachronistic town of Near, stirring everyone's suspicions.  Near, it seems, has always been just what it is: a place where everyone knows one another, where an outsider is unheard of.  When the first child disappears shortly after the stranger's appearance, everyone except Lexi leaps to the conclusion that "the stranger" is to blame.

This is where the story really picks up, and Victoria introduces us to the colorful and vivid cast of characters who inhabit the town: her mother, who is more of a ghost than a person since Lexi's father's death, the Thorne sisters, Magda and Dreska (who were by far the most fascinating additions to the story), Otto, Lexi's uncle, Tyler, her would-be suitor, and her best friend Helena, among others.  Victoria does a very solid job of inter-weaving all these characters into the story, and fleshes them out well for the most part, although I think there were a few whom I wish she had devoted more attention to, especially Tyler, who sometimes seems a little flat. 

Nevertheless, the story holds up to the premise, as Lexi and Cole, as she names the stranger, begin a frustrating quest for the town's missing children.  I was immediately just as drawn to Cole as Lexi was, and just as loathe to suspect him of any wrong-doings.  As the clock ticked away, narrowing Lexi's chances of locating the children before her uncle's suspicions fasten on Cole, my heart definitely pounded at the delicious sense of mystery Schwab creates.  I enjoyed Lexi and Cole's interactions, as well as their connection.  The bond they develop is actually one of my favorite things about this book, as well as the fact that thankfully, there is no love triangle, and what romance there is is given time to flourish and grow, though it never overshadows the looming mystery of the whearabouts of the missing children.

The climax of the book was pretty much what I imagined it would be, and yet, in no way was it disappointing.  I did feel like it was all wrapped up just a little too quickly (ie with only about ten pages to spare), but it was very spooky really, which I loved.  This book was part historical fiction (I say that because with Near, while it wasn't geographically or historically pinpointed, I got the sense we were reading about "the old days,"), part folk lore, part scary story, and part romance.  I also loved the author's writing style - very dreamy and whimsical, very lilting, I do wish it had been a bit longer, so that Victoria could have spent more time on Lexi's relationship with her father, and possibly also the Thorne sisters too, but overall The Near Witch was a fantastic read, definitely one everyone should have on their bookshelves!
  

Memorable Quote


If the moor wind ever sings, you musn't listen, not with all of your ears.  Use only the edges.  Listen the way you'd look out of the corners of your eyes.  The wind is lonely, and always looking for company.

Thursday, August 4, 2011

Review: The Vespertine by Saundra Mitchell

The Vespertine by Saundra Mitchell
Published: 03.07.2011 (Harcourt Children's Books)
Pages: 293 (Hardcover)
Series: The Vespertine (1)
Rating: 4 1/2 of 5 stars
Further info: Goodreads | Amazon
Find the author online: site | blog | twitter

 The summer of 1889 is the one between childhood and womanhood for Amelia van den Broek - and thankfully, she’s not spending it at home in rural Maine. She’s been sent to Baltimore to stay with her stylish cousin, Zora, who will show her all the pleasures of city life and help her find a suitable man to marry.

Archery in the park, dazzling balls and hints of forbidden romance-Victorian Baltimore is more exciting than Amelia imagined. But her gaiety is interrupted by disturbing, dreamlike visions she has only at sunset - visions that offer glimpses of the future. Soon, friends and strangers alike call on Amelia to hear her prophecies. Newly dubbed “Maine’s Own Mystic”, Amelia is suddenly quite in demand.

However, her attraction to Nathaniel, an artist who is decidedly outside of Zora’s circle, threatens the new life Amelia is building in Baltimore. This enigmatic young man is keeping secrets of his own- still, Amelia finds herself irrepressibly drawn to him. And while she has no trouble seeing the futures of others, she cannot predict whether Nathaniel will remain in hers.

When one of her darkest visions comes to pass, Amelia’s world is thrown into chaos. And those around her begin to wonder if she’s not the seer of dark portents, but the cause.
 

My Review


"I woke in Oakhaven, entirely ruined."

I normally do not include first sentences, or passages from the novel other than to throw in one quote that stuck with me as I read.  But when it comes to Saundra Mitchell's The Vespertine, I have a feeling I am going to be talking a lot about the lyrical, poetic feel to this heart-wrenching and gorgeous novel.   From the captivating first sentence, to the breath-taking last sentence, until I closed the book, the words stayed with me.  When I was not reading this book, I was thinking about it, and longing to read just a few pages, to get back to the mythos Saundra created.  I have read a few reviews where readers had a difficult time getting in to this book, perhaps because of the setting, but I thought that was well-researched and well-fleshed out, and again, the language and the prose was just beautiful.

Amelia Van den Broek comes to Baltimore with a mission: to make a proper match.  I liked her immensely, and right away, though, because Amelia, our headstrong protagonist, immediately falls for a Fourteenth: someone just outside the right circles, who is paid to round out the number of guests at a dinner party.  Amelia and Nathaniel Hawthorne circle one another headily throughout this book, in a way that utterly enchanted me, and at times, took my breath away.  Their relationship was, for me, the biggest draw to the The Vespertine - their instant, irrevocable connection, and the way Saundra Mitchell explored it.  It wasn't love at first sight, but it was interest and fascination at first sight.  Nathaniel is forbidden; Amelia absolutely cannot marry him.  That was part of their mutual attraction, but the other part was that these two characters shared something unbreakable and, in my opinion, were absolutely right for one another.  The depth of their tenderness toward one another, in spite of some highly tense and breathless chase scenes, really rang true for me.  It's not a game for either of them.  I found them incredibly believable as a possible couple, even though in the sense that this book is a historical novel, "couple" isn't even the right term, not for what they were to one another.

I was also a huge, huge fan of the plot.  By the synopsis's own admission, Amelia has visions, but what I loved so much was that they were woven into the story very well, and they were not the entire story.  There is a whole cast of delightful and spunky characters in The Vespertine, and they all weave into Amelia's sunset visions, which originate almost as an accident, then become a regular occurrence, as callers begin to pour into the home where Amelia is staying with her cousins.  The novel waltzes toward a climax, based on one of Amelia's visions, that does bring on the tragedy the synopsis hints at, in such a way that I was tearing through the pages to see what happened from that point on.

Another thing that greatly appealed to me was the few intervals in the present, where we saw a vastly changed Amelia.  The bulk of the story is told several months in the past, when most of the plot takes place, but the interludes with Amelia back home with her brother and her sister-in-law were particularly poignant, for this is Amelia after.  Shaken and bereft, we see her struggling to retain any sense of normalcy, and I thought those little breaks in the main plot were brilliantly done. 

I also want to applaud Saunda Mitchell on her development of her secondary characters.  There were several that I wish we had seen more of, but my favorite was Zora Stewart, Amelia's close-in-age cousin.  Zora is even spunkier than Amelia (who tries to cling to propriety sometimes) and I just fell for Zora.  I loved her side-plot, and by the end of the book, I wanted to see more with her (and it seems we will get to in the sequel, The Springsweet!)
The only reason that this is not a 5 star review is a simple one: I wish we had seen a little more info and back story on abilities like Amelia's, like where did she get hers?  She is not the only character in this book with "powers"...and I really really hope the sequel delves further into why those that do have them, do, what all they can do with them, etc.  It seemed like some of the abilities came out of nowhere.  Other than that...I loved The Vespertine, and will be swooning over it for a long time to come. 

Memorable Quote



The stars could have burned out around us, the moon could have fallen from the sky, and I wouldn't have known it. Not when he leaned indecently close and pressed his cheek against mine to murmur, "Tell me a secret."

I wanted him to tell me how he stopped time like that. How he read my mind. I wanted to admit I wondered if thoughts of me troubled him when he lay awake at night. But I could make none of that come to my lips....


Instead... I whispered back, "I've seen the future."


He didn't laugh. He didn't mock, not like he had done at Privalovna's performance. In the middle of our waltz, he stopped, nose to nose with me. He uncovered me with a look that somehow bared him, too.  And his question told me everything - that he stopped time because he needed me, that he read my mind because we were one. That I troubled his nights, indeed, because what he asked revealed it all.


"Am I with you there?"  -
Amelia and Nathaniel